Home entertainment guide: “Return closer”, “the Phoenician program”, “Vermiglio”, plus | DVD / Blu-ray

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7 New on Blu-ray / DVD

“Return it”

The Australian duo Danny and Michael Philippou followed their escape hit “Talk to Me” with one of the horror films most acclaimed by the criticism of the year, now available on Blu-ray exclusively via the A24 online store. This column is designed mainly for protruding facts only, but enough people like this film much more than me, I will make an exception. I think it swings with far too many tropes of “the horror of mourning” and is simply cruel when it comes to most of them. However, Sally Hawkins is unable to deliver poor performance, and A24 has transferred the film to home media, including a comment, a featurette with Hawkins and Brothers, and even postcards. Consider the message you send carefully if you use them.

Special characteristics

• A comment with the directors
• A deleted scene
• In -depth manufacturing featurette
• Six postcards to collect

“Cairo station” (criterion)

Criterion continues to strive to extend their catalog beyond white, European and generally male directors, making great progress this month with outings from Egypt, Taiwan, and a South American director. The first of those alphabetically is largely considered an essential film in Egyptian cinema and the neor -life movement of the 1950s. The black of 1958 by Yousseh Chahine is an amazing, a film which tells the story of a man who becomes obsessed with a soda seller at the holder station, ultimately transforming this obsession into violence. Rejected at the time by a country which was not ready for anything as intense in their cinema, it took generations to find a reactive audience, and now has a 4K physical release which should increase this admiration even more.

Special characteristics

• New 4K digital catering, with uncompressed monaural soundtrack
• New 2K digital catering in Cairo seen by Chahine (1991), a short documentary by Youssef Chahine, with an introduction by the film researcher Joseph Fahim
• New interview with Fahim
• Chahine. . . For what? (2009), a documentary on the director and the Cairo station
• Extract from the appearance of Chahine at the Film Festival by Midnight Sun 1998
• New translation of the English subtitle
• More: a fahim test

“Compensation” (criterion)

Inspired by the Dumbar poem by Paul Laurence of the same name, the 1999 drama of Zeinabu Irene Davis was relatively buried for a generation, recently recently recently recently recently deserved with outings in 2024, when she was also appointed to the cinema register of the Congress Library. In fact, after playing TIFF in 1999, Sundance in 2000, the “compensation” was entirely unavailable until Criterion included it on their streaming platform in 2021. They then undertook a restoration with screening in Nyff and Ciff in 2024. Now, that catering is available on physical media, and it is a dizzying collection, and as such, Two short films by Davis by Davis (was 37 years old), and more. The best thing that the criterion is to be an essential rescue buoy for films that would have been lost in history otherwise. This is an excellent example of how they continue to do so.

Special characteristics

• New 4K digital catering, supervised and approved by director Zeinabu Irene Davis, in collaboration with the archives of the film and television of the UCLA and Wimmin with a mission productions, and in collaboration with the Sundance Institute, with a non -compressed stereo soundtrack
• Audio Commentary Featuring Davis, Screenwriter Marc Arthur Chéry, and Director of Photography Pierre Hl Désir Jr.
• Q & as with distribution and team members
• Two short films from Davis, Crocodile Conspiracy (1986) and Pandemic Bread (2023), the latter with audio comments featured in Davis and Cast and Crew and members and descriptions
• Interview with Davis from 2021
• New program on certain archive photographs and adinkra and vevè symbols in the film
• Trailer
• English subtitles and spacers for deaf and descriptive audio harm when hearing and in English
• Plus: an essay by the film researcher Racquet Gates, a note of director and a conversation between Davis and the artist Alison O’Daniel on the process of subtitling of the film

“Confucian confusion” / “Mahjong” (criterion)

Criterion released Edward Yang Films in the past, notably Essential Editions from “A Bright Summer Day” and “Yi Yi”, his most acclaimed films. They have now accompanied those who have a double characteristic of the fifth and sixth works of the Taiwanese director, “A Confucian Confusion” of 1994 and “Mahjong” from 1996. The two films received the 4K restoration treatment with a new interview and a new conversation between Michael Berry and one of the best criticisms of living films, Justin Chang.

Special characteristics

• New 4K digital restorations, with Master Audio audio soundtracks from 5.0 DTS-HD surround
• Excerpts from director Edward Yang express after a projection in 1994 of confused confusion
• New interview with the editor Chen Po-Wen
• New conversation between the Chinese scholar of studies-studies Michael Berry and the film critic Justin Chang
• YANG’s 1992 part of the 1992 part probably
• Plus: an essay on the film and critic programmer Dennis Lim and a note as director of 1994 on a confused confusion

“The Phoenician Program”

Wes Anderson has the impression that it goes and came fairly quickly, launching in Cannes in May, in the world rooms just after, and on the media at home before the end of July (with really hideous coverage). While Mr. Anderson will be part of the largest Blu-ray version of 2025 later this year, when Criterion removes a box from most of his work, he obtains a fairly standard version of the naked edition which only includes three mini-fears. There is no way that it is the last word on one of the purely pleasant films of 2025, so consider this as a space reserved until the criterion arrives there in 2026 or 2027.

Special characteristics

• The casting
• The plane
• Marseille Bob
• The world of ZSA-Zsa

“Hoshine” (criterion)

The final masterpiece of Vittorio de Sica has a little Trivia which could win the next competition in your local water hole: this is the first film to win the Oscar for the best international feature film, awarded for the first time in 1947. And yet, he did not have the same heritage as the winners of the subsulas of the first years as “very” very “,” Rashomon “and” Losta “. And yet, he had his faithful fans, including Pauline Kael and no one other than Orson Welles, who said: “… the camera has disappeared, the screen has disappeared; It was just life. ” Criterion remaster of the film in 4K and included a new program on its place in the Italian movement of Néorialis. The coolest special functionality is a broadcast radio from 1946 with SICA itself.

Special characteristics

• New 4K digital catering, company by the Foundation film and the Cineteca Di Bologne, with an uncompressed monaural soundtrack
• A 4K 4K UHD disc and a blu-ray with the film and special features
• SCIUSCI to 70 (2016), a documentary by MIMMO VERDESCA, made to mark the sixtyth anniversary of the film
• New program on Shoeshine and Italian neorialism with Cinematographic scholars Paola Bonifazio and Catherine O’Rawe
• Radio broadcast from 1946 with the director Vittorio de Sica
• Trailer
• New translation of the English subtitle
• Plus: an essay by cinema researcher David Forgacs and “Shoshine, Joe?”, A photo-documentary from 1945 of SICA

“Vermilion”

From “Shoshine” to another work of Italian realism made eight decades later (but taking place in the 1940s). The magnificent Drama of Maura Delpero was the Italian entrance for the prize that “Shoehine” inaugurated last year and won the Grand Jury Prize at the Venice Film Festival, winning the best film with the Italian Oscars equivalent. Delpero tells the story of a mountain village in northern Italy in 1944 when a deserter of the Second World War occurred in town, falling in love with a local girl named Lucia. With relatively ordinary lives on the magnificent pictorial decorations, “Vermiglio” is a haunting work, a film that brings Delpero to a new level of respect. Again, the range of versions of contemporary Janus could produce a little controversy here, although this version is magnificent, it does not contain the special characteristics of the correct liberation of the criterion that it would have finally received.

Special characteristics

• Meet the filmmakers, a new interview with director Maura Delpero
• Trailer