Le Mal Aimé, Part 137: Immortals | MZ

With the ruthless warmth of a summer of global warming on us, let’s look back a superproofed which has returned, but which has not finished with its director, the Tarsem Singh Dhandwar, inaccessibly unique, whose career has been paused in this country. While the films are now drained in color, his cinema was alive. He had a healthy attitude towards the plot and never let the impossible stand up on his way. He has already given one of my favorite quotes in an interview: “And for me, after having traveled a lot, I always have to discover it – when you show a film to people, they simply say:” would you finish that? “”

This is one of the reasons why you have original films – like Superman or something else – which takes so long in the West each time you start to create one, because you have to install that this guy can fly because he is from another planet, has a sworn enemy, you can make it mel down when you give it kryptonitis, and all that. You watch a film in Hindi, and they simply say: “Hey, this guy can divert a ball with his ring because he is Amitabh Bachchan, so the next question.” Literally, this is what each culture takes – to take as a macguffin and where they want money spent.

We could all endure this rider style these days.